As picture book writers, we have a braid of dreams. First, to write a book that expresses something we want to share. Second, a book that connects with our audience, engages the child. Third, a book that will last. If there was a workshop for achieving these goals, we’d all be signed up and sitting in the front row. Alas, no such workshop exists.
What we can do is study picture books that have lasted andremain fresh. Several such books are by Leo Lionni. His seemingly simple texts that speak to the human condition continue to captivate children. Lionni’s best-known picture books are now over 40 years old, and still in print. Students in all the arts begin by studying the masters. So should we.
In his own words:
“You may have asked yourselves, when you saw my books: birds, worms, fish, flowers, pebbles…what about people? Of course my books, like all fables, are about people…My characters are humans in disguise and their little problems and situations are human problems, human situations. The game of identifying, of finding ourselves in the things around us is as old as history. We understand things only in terms of ourselves and in references to ourselves.”
“And then there is another aspect of the allegory as a storytelling technique. It is easier to isolate situations, to bring them to a clean, uncluttered, symbolic pitch outside of ourselves. What a ponderous, complex story SWIMMY would have been if some cruel dictator has slaughtered a whole village and only a little boy had been able to escape.”
FREDERICK by Leo Lionni. (Pantheon, 1967).
INCH BY INCH by Leo Lionni. (Harper, 1960).
LITTLE BLUE AND LITTLE YELLOW by Leo Lionni. (Harper, 1959).
“My Books for Children” by Leo Lionni in AUTHORS AND ILLUSTRATORS OF CHILDRLEN’S BOOKS: WRITINGS ON THEIR LIVES AND WORKS edited by Miriam Hoffman and Eva Samuels. (Bowker, 1972).
SWIMMY by Leo Lionni. (Pantheon, 1963).