Archives for posts with tag: look again

LOOK AGAIN!

Why We Read…and Write

III of III

FAMILY SCRAPBOOK by M.B. Goffstein

Writing about the photographer’s dilemma, John Szarkowski stated:

“…what shall he include, what shall he reject. The line of decision between in and out is the picture’s frame…The photographer’s edge defines content. It isolates juxtapositions. The photographer edits the meanings and patterns of the world through an imaginary frame.”

The Photographic Eye

Szarkowski may have been thinking about photography, but his words also apply to our process and choices as writers. Who among us hasn’t tried to include everything in a manuscript only to end up with a muddled mess?

As writers our “imaginary frame” takes many forms. Genre. Length. Point of view. Where we begin and end the narrative. First or third person. Like the photographer, we are wise to explore all the options our frame can offer before pressing click or print.

Joel Meyerowitz

I know writers who thought they were working on a picture book, but it was better when reframed as a novel. I’ve had a poem that ended up better expressed and framed as a picture book story. And vice versa. We have nothing to lose and much to gain by telling ourselves to “Look again” at our manuscript. Explore alternative frames or edges. Literally try different points of view.

Joel Meyerowitz

Central themes or common threads can often be found throughout an author’s work. With the best authors this does not mean repetition, but rather a collection of different perspectives, different frames just like the many ways John Meyerowitz explored the St. Louis arch.

Joel Meyerowitz

It is also how we read. No single story or book can represent the only truth because there is no single truth. Both reading and writing let us continue to look through a wider and wider range of frames. The result—a life that is forever growing wider and deeper.

“A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them…One implication is the importance of just plain receptivity.” William Stafford

Books That Encourage One to “Look Again”

*THE ARCH by Joel Meyerowitz. Little, Brown & Co., 1988.

FAMILY SCRAPBOOK by M.B. Goffstein. Farrar, 1978.

GALEN’S CAMERA by Jill Kalz. Illus. by Ji Sun Lee. Picture Window Books, 2006.

*THE PHOTOGRAPHER’S EYE by John Szarkowski. The Museum of Modern Art, 2007 (1966).

TAKE ANOTHER LOOK by Tana Hoban. Greenwillow, 1981.

THE TURN-AROUND, UPSIDE-DOWN ALPHABET BOOK by Lisa Campbell Ernst. Simon & Schuster, 2004.

*WRITING THE AUSTRALIAN CRAWL: VIEWS ON THE WRITER’S VOCATION by William Stafford. University of Michigan Press, 1978.

*Published for adults

Advertisements

LOOK AGAIN!

Why We Read…and Write

I of III

As human beings we are plagued with the desire to create boundaries. This is this and only this. You are you and not one of us. In this spirit, we might ask what the former curator of photographs at the Museum of Modern Art could possibly have to do with picture books? Plenty, if we take the time to relax and look again. There is always more to see in what we think we’ve already explored.

I have long been intrigued and inspired by the following quote from THE PHOTOGRAPHER’S EYE by John Szarkowski.

“If the photographer could not move his subject, he could move his camera. To see the subject clearly—often to see it at all—he had to abandon a normal vantage point, and shot his picture from above, or below, or from too close, or too far away, or from the back side, inverting the order of thing’s importance, or with the nominal subject of his picture half hidden. From his photographs, he learned that the appearance of the world was richer and less simple than his mind would have guessed. He discovered that his pictures could reveal not only the clarity but the obscurity of things, and that these mysterious and evasive images could also, in their own terms, seem ordered and meaningful.”

"The Octopus" Alvin Langdon Coburn. 1912.

Even if one isn’t a photographer, who hasn’t spent time as a child leaning off the edge of the bed marveling at how the world looks upside down. Or, watched a giant tree move when you look first with just the right eye then the left.

A few days ago serendipity brought the discovery of a wonderful early reader / picture book that demonstrates Szarkowski’s quote in just as many words. GALEN’S CAMERA by Jill Kalz encapsulates the joys of looking at the world from a slightly different angle or distance. And, as Galen’s camera does that, it also inspires the world of simile and metaphor. In a (supposedly) mere 112 words spread through 24 pages, Kalz introduces her reader to a boundary-free world that is rich with overlapping realities.

GALEN'S CAMERA

Look again.

Books That Encourage One to “Look Again”

*THE ARCH by Joel Meyerowitz. Little, Brown & Co., 1988.

GALEN’S CAMERA by Jill Kalz. Illus. by Ji Sun Lee. Picture Window Books, 2006.

*THE PHOTOGRAPHER’S EYE by John Szarkowski. The Museum of Modern Art, 2007 (1966).

TAKE ANOTHER LOOK by Tana Hoban. Greenwillow, 1981.

THE TURN-AROUND, UPSIDE-DOWN ALPHABET BOOK by Lisa Campbell Ernst. Simon & Schuster, 2004.

*WRITING THE AUSTRALIAN CRAWL: VIEWS ON THE WRITER’S VOCATION by William Stafford. University of Michigan Press, 1978.

*Published for adults